Education is integral
INSTRUCTOR: Sarah Mumford, MT-BC
ABSTRACT: The end of life offers us much richness by way of reflections, perspective shifts, complex emotions, and vulnerability. Music meets this time of a person’s life with equal amounts of richness, both affirming and expanding the experience of the dying journey. While many different types of music experiences are utilized in the end of life, this CMTE will explore the intervention of songwriting specifically. Together, participants will learn about the aspects of songwriting and how they are related to aspects of humanity and therapeutic relationship, and in doing so they will be challenged to shift from a focus on preconceived plans to a focus on in-the-moment reflecting and creating. There will be two informational lectures separated by a ten minute break followed by an experiential component, where participants are able to implement and practice what they learn. Having access to a musical instrument of choice will be required for this CMTE in order to participate in the experiential portion appropriately. Please contact PMT to check which instruments are available to borrow for the workshop. Participants will be asked to explore various musical elements and practice implementing them (CBMT Certification Domain II.D.11 and III.A.5), learn how music-centered, humanistic approaches inform songwriting and therapeutic relationship (CBMT Certification Domain III.A.4), and learn ways to acknowledge their own personal bias and musical leanings (CBMT Certification Domain III.A.1 and III.A.5). This interactive workshop is open to individuals who desire to understand and implement songwriting into their music therapy practice. Those working within death and dying will find this information most relatable, though professionals or interns in any population are welcome to attend. This professional course will occur live on Saturday, September 14th from 9am - 12pm. Completion of this 3 credit CMTE does not ensure that the participant is currently a Board-Certified Music Therapist (MT-BC). Verify music therapy board certification status and eligibility at: www.cbmt.org.
LEARNER OBJECTIVES: 1. Participants will learn ways to acknowledge their own personal bias, tendencies, and musical leanings in session. (III.A.1.F, V.A.6) 2. Participants will identify 2 or more ways that music-centered, humanistic approaches inform songwriting and overall therapeutic relationship. (III.A.4.F) 3.Participants will explore 3 or more musical elements and practice implementing them in songwriting experiences. (II.D.11, III.A.5.C, III.A.5.M) EVALUATION METHOD: Course evaluation will include the CMTE Course Evaluation Form and opportunity for attendees to explore songwriting on a musical instrument.
INFO ON PRESENTER: Sarah Mumford is a board certified music therapist, working predominantly in hospice and palliative care. Over the past 7 years, she has also practiced within the realms of grief support, veteran care, and cancer survivorship, and she has fostered her own relationship with music as a singer-songwriter. Sarah practices within a humanistic, music-centered approach and believes deeply that music is one of the most powerful mediums for therapeutic change within those we serve, within ourselves, and within the world around us. Sarah is based in the Greenville, SC area, where she currently works for VIA Health Partners.
The In-Person CMTE for 11/9/24 was cancelled due to low registration.
The asynchronous learning opportunity with Sarah Mumford, MT-BC will be available for purchase and remote completion December 6, 2024 - August 6, 2025.
| Sarah Mumford, MT-BC Asynchronous Flier |
Asynchronous CMTE - Leaving a Legacy Through Song: Songwriting in the End of Life with Sarah Mumford, MT-BC
LEARNER OBJECTIVES: 1. Participants will learn ways to acknowledge their own personal bias, tendencies, and musical leanings in session. (III.A.1.F, V.A.6) 2. Participants will identify 2 or more ways that music-centered, humanistic approaches inform songwriting and overall therapeutic relationship. (III.A.4.F) 3.Participants will explore 3 or more musical elements and practice implementing them in songwriting experiences. (II.D.11, III.A.5.C, III.A.5.M)
COST: $40 Professional Registrant (between December 6, 2024 - August 6, 2025)
CANCELLATION & REFUND POLICY: no refund is available for this e-course.
Stay tuned for an in-person return in 2025.
ABSTRACT: Music therapists will be invited to strengthen their piano clinical competence in this exploratory workshop. Practice strategies will be shared to assist with increasing aptitude in sight reading and employing primary chord progressions with a diverse range of accompaniment options.
Piano is a highlight and attraction for some clients. Increasing the therapist’s span of musical offerings will therefore engage additional clients and thus, increase one’s therapeutic efficiency. Inpatient and outpatient examples will illustrate keyboard-use in varied clinical settings; attendees will problem-solve in order to discover additional ways to incorporate the piano into their clinical settings.
Although piano is clearly valued through AMTA’s list of competencies and CBMT Certification Domains, music therapists whose secondary instrument is the piano often express apprehension in clinically utilizing the keyboard. Even pianists - having solely focused on repertoire development - can sometimes neglect the instrument due to lack of proficiency training. This workshop will be an experiential course that utilizes various formats: lecture, demonstration, handouts and attendee participation on keyboard/piano. The experiences shared from the multi-dimensional presenter* will allow attendees to explore tangible practice strategies that will lead to greater piano competence for the benefit of clients’ treatment. Additionally, attendees will be encouraged to identify possible treatment domains that the piano/keyboard supports (CBMT Certification Domain III.A.5.f.3.”). This workshop will be an experiential course that utilizes various formats: lecture, demonstration, handouts and attendee participation on keyboard/piano.
LEARNER OBJECTIVES:
1. Participants will play basic chord progressions on piano (I-IV-V; i-iv-V) in several keys with varied accompaniment patterns (V.A.3)
2. Attendees will develop sight reading skills in order to learn simple compositions and song accompaniments that incorporate primary chord progressions; attendees will discuss articulations and tempi that support therapeutic objectives (II.D.1)
3. Attendees will identify 2 ways to make the piano/keyboard more accessible for clients.
INFO ON PRESENTER: Dr. Theresa Camilli teaches individual piano lessons and class piano, and she also serves as a collaborative pianist for student recitals at Northern Michigan University. She completed her PhD (Music Education, Emphasis in Piano Pedagogy) at the University of Oklahoma in 2010. Prior to her doctoral studies, she earned a Bachelor of Arts degree in Psychology and a Bachelor of Music degree in Music Therapy from Loyola University in New Orleans, LA. She completed her Master’s degree in Music Therapy at the University of Iowa and has worked as a Board-Certified Music Therapist. Dr. Camilli has also held faculty positions at the University of South Carolina and Alverno College (teaching Applied Piano and Piano Pedagogy courses), and from 2010-2016 she was the Coordinator of Group Piano Curriculum and Graduate Piano Pedagogy at the University of Northern Iowa. Dr. Camilli is author of “Functional Piano Skills within Clinical Music Therapy Practice” Chapter contribution Published (August 2019) American Music Therapy Association textbook: “Music Therapy: An Introduction to the Profession”
The CMTE was very interactive and collaborative, which made it feel so productive. |
Sight-reading tips and practice strategies along with some simple accompaniment patterns to use. |
Course Trainers
Grievance policy & PROCEDURES APPEAL PROCEDURESParticipants of CBMT approved trainings through Piedmont Music Therapy, #P-175 have the right to file a grievance. The content of grievance must be electronically submitted via writing with an outline of the problem and a preferred solution. Upon receipt the participant will receive confirmation of electronic receipt from Approved Provider and then an emailed resolution within 14 days. If the offered resolution is unsatisfactory then the individual has the right to appeal the decision. Via email, the individual must respond to the Approved Provider with disagreement to the resolution and list the reason(s) for appealing the decision. Approved Provider will review the appeal via email and respond to confirm receipt of the appeal and then offer another resolution within 14 days. If the grievance is still unresolved after the appeal process then attendee has the right to contact CBMT Continuing Education Comittee to request supporting the unresolved grievance.
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Songbooks for Music Therapists & Music Educators.
Color Coded Songs are available as digital resources, arranged by music therapists on staff at Piedmont Music Therapy.
VOLUMES 1- 8 were arranged by Miriam Tart, MMT, MT-BC and feature the chorus of twelve songs with some altered rhythms only including eighth, quarter, half and whole notes/rests. Melody is notated on the treble clef and notes are colored for instrument pairing (resonator bells and desk bells). These songbooks include TWELVE songs each.
VOLUME 9-11 were arranged by Ashley Tisdale, MT-BC with chords included or harmony notation through bass clef/grand staff. These notes are colored for instrument pairing (Boomwhackers). These songbooks include TEN songs each.
Titles from Volume 1 - Pop Genre include: Boyfriend, Despacito, Happier, Me!, Memories, Old Town Road, See You Again, Shallow, Someone You Loved, Sucker, The Middle and Toosie Slide.
Titles from Volume 2 - 1980's Genre include: Born In The USA, Celebration, Don't Stop Believin', Don't Worry, Be Happy, Don't You Forget About Me, I Love Rock N' Roll, I Wanna Dance With Somebody, Listen To Your Heart, Livin' On A Prayer, Man In The Mirror, Right Here Waiting and Time After Time.
Titles from Volume 3 - 1990's Genre include: All I Wanna Do, Black or White, Can You Feel The Love Tonight?, Creep, Don't Speak, Good Riddance, I'll Be There For You, I Want It That Way, I Want You Back, I Will Always Love You, My Heart Will Go On and Wonderwall.
Titles from Volume 4 - Folk Genre include: Blowin' In The Wind, Camptown Races, Can The Circle Be Unbroken, Clementine, Don't Think Twice, It's All Right, Oh, Susanna, Oh, When The Saints, Sound of Silence, The Times They Are A-Changin', This Land Is Your Land, We Shall Overcome and You Are My Sunshine.
Titles from Volume 5 - Religious Genre include: Amazing Grace, Bless The Broken Road, Great Is Thy Faithfulness, How Great Thou Art, In Christ Alone, Oceans, Praise You In This Storm, Swing Low, Sweet Chariot, The Old Rugged Cross, Who You Say I Am, You Found Me and You Say.
Titles from Volume 6 - Rap Genre include: All Love, Congratulations, Emotionally Scarred, Family, God’s Plan, Hypnotize, Ice Ice Baby, Juice, No Diggity, Not Afraid, Truth Hurts and U Can’t Touch This.
Titles from Volume 7 - Rock Genre include: Brown Eyed Girl, Comfortably Numb, Crocodile Rock, Dream On, Eye Of The Tiger, Free Fallin', Give Me One Reason, Highway to Hell, Imagine, Jack and Diane, We Are The Champions and Welcome To The Jungle.
Titles from Volume 8 - Country Genre include: Follow Your Arrow, Friends In Low Places, Humble and Kind, I'm A Survivor, I'm So Lonesome I Could Try, Mean, Mountain Music, Meant To Be, Ring of Fire, Songs About Rain, Wagon Wheel and Write This Down.
Titles Volume 9 - Children's Songs include: ABC's, Are You Sleeping, BINGO, London Bridge, Mary Had A Little Lamb, She'll Be Coming 'Round The Mountains, The Itsy Bitsy Spider, Take Me Out To The Ballgame, Twinkle, Twinkle, Little Star and Wheels On The Bus.
Volume 10 - Classical Songs include: Canon in D, Clair de Lune, Für Elise, Minuet in G Major, Ode to Joy, Pomp and Circumstance, The Swan, Toreador Song, The Waltz of the Flowers and William Tell Overture.
Volume 11 - Broadway Songs include: All I Ask of You, Do, Re, Mi, I Dreamed a Dream, Memory, My Favorite Things, Over the Rainbow, Seasons of Love, Tomorrow, Waving Through a Window, You’ll Be Back.
Volume 12 - Children's Songs, Vol. 2 include: 5 Little Ducks, Apples and Bananas, Baa Baa Black Sheep, Baby Bumblebee, Down By The Bay, Hickory Dickory Dock, If You're Happy & You Know It, Old Macdonald, Row, Row, Row Your Boat, The More We Get Together.
Piedmont Music Therapy ©2023
Color-Coded Songs, Volume 1 - Pop Genre
Color Coded Songs - Volume 1 is a digital resource that was created by Miriam Tart, MMT, MT-BC on staff at Piedmont Music Therapy, LLC.
Melody is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests.Choruses from the following pop songs are included: Boyfriend, Despacito, Happier, Me!, Memories, Old Town Road, See You Again, Shallow, Someone You Loved, Sucker, The Middle & Toosie Slide.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
Stay tuned for another edition featuring a different genre coming soon!
Color-Coded Songs, Volume 2 - 1980's Genre
Color Coded Songs - Volume 2 was created by Miriam Tart, MMT, MT-BC on staff at Piedmont Music Therapy, LLC.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests. Choruses from the following songs are included: Born In The USA, Celebration, Don't Stop Believin', Don't Worry, Be Happy, Don't You Forget About Me, I Love Rock N'Roll, I Wanna Dance With Somebody, Listen To Your Heart, Livin' On A Prayer, Man In The Mirror, Right Here Waiting, and Time After Time.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
Color-Coded Songs, Volume 3 - 1990's Genre
Color Coded Songs - Volume 3 was created by Miriam Tart, MMT, MT-BC on staff at Piedmont Music Therapy, LLC.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests. Choruses from the following songs are included: All I Wanna Do, Black or White, Can You Feel The Love Tonight?, Creep,Don't Speak, Good Riddance, I'll Be There For You, I Want It That Way, I Want You Back, I Will Always Love You, My Heart Will Go On and Wonderwall.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
Color-Coded Songs, Volume 4 - Folk Genre
Color Coded Songs - Volume 4 was created by Miriam Tart, MMT, MT-BC on staff at Piedmont Music Therapy, LLC.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests. Choruses from the following songs are included: Blowin' In The Wind, Camptown Races, Can The Circle Be Unbroken, Clementine, Don't Think Twice, It's All Right, Oh, Susanna, Oh, When The Saints, Sound of Silence, The Times They Are A-Changin', This Land Is Your Land, We Shall Overcome and You Are My Sunshine.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
Color-Coded Songs, Volume 5 - Religious Genre
Color Coded Songs - Volume 5 was created by Miriam Tart, MMT, MT-BC on staff at Piedmont Music Therapy, LLC.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests. Choruses from the following songs are included: Amazing Grace, Bless The Broken Road, Great Is Thy Faithfulness, How Great Thou Art, In Christ Alone, Oceans, Praise You In This Storm, Swing Low, Sweet Chariot, The Old Rugged Cross, Who You Say I Am, You Found Me and You Say.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
Color-Coded Songs, Volume 6 - Rap Genre
Color Coded Songs - Volume 6 was created by Miriam Tart, MMT, MT-BC on staff at Piedmont Music Therapy, LLC.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests. In many rap songs, there is more of a hook than a full chorus, so that is reflected in these short melodies.
Choruses from the following songs are included: "All Love" - Lil Durk, "Congratulations" - Post Malone ft. Quavo, "Emotionally Scarred" - Lil Baby, "Family" - Chance The Rapper, "God’s Plan" - Drake, "Hypnotize - The Notorious BIG, "Ice Ice Baby" - Vanilla Ice, "Juice - Lizzo, "No Diggity - Blackstreet, "Not Afraid" - Eminem , "Truth Hurts" - Lizzo and "U Can’t Touch This" - MC Hammer.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
Color-Coded Songs, Volume 7 - Rock Genre
Color Coded Songs - Volume 7 was created by Miriam Tart, MMT, MT-BC on staff at Piedmont Music Therapy, LLC.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests.
Choruses from the following songs are included: Brown Eyed Girl, Comfortably Numb, Crocodile Rock, Dream On, Eye Of The Tiger, Free Fallin', Give Me One Reason, Highway to Hell, Imagine, Jack and Diane, We Are The Champions and Welcome To The Jungle.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
Color-Coded Songs, Volume 8 - Country Genre
Color Coded Songs - Volume 8 was created by Miriam Tart, MMT, MT-BC on staff at Piedmont Music Therapy, LLC.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests.
Choruses from the following songs are included: Follow Your Arrow, Friends In Low Places, Humble & Kind, I'm A Survivor, I'm So Lonesome I Could Cry, Mean, Meant To Be, Mountain Music, Ring of Fire, Songs About Rain, Wagon Wheel and Write This Down.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
Color-Coded Songs, Volume 9 - Children's Genre (Boomwhackers)
Color Coded Songs - Volume 9 was arranged by Ashley Tisdale, MT-BC on staff at Piedmont Music Therapy, LLC.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests. Chord symbols are included above the treble staff as well!
Choruses from the following songs are included: ABC's, Are You Sleeping, BINGO, London Bridge, Mary Had A Little Lamb, She'll Be Coming 'Round The Mountains, The Itsy Bitsy Spider, Take Me Out To The Ballgame, Twinkle, Twinkle, Little Star and Wheels On The Bus.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
Color-Coded Songs, Volume 10 - Classical Genre (Boomwhackers)
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests. Chord symbols are included above the treble staff as well!
The following pieces are included: Canon in D, Clair de Lune, Für Elise, Minuet in G Major, Ode to Joy, Pomp and Circumstance, The Swan, Toreador Song, The Waltz of the Flowers and William Tell Overture.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
All rights reserved. Piedmont Music Therapy ©2021
Color-Coded Songs, Volume 11 - Broadway Genre (Boomwhackers)
Color Coded Songs - Volume 11 was arranged by Ashley Tisdale, MT-BC on staff at Piedmont Music Therapy, LLC.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests. Chord symbols are included above the treble staff as well!
The following pieces are included: All I Ask of You, Do, Re, Mi, I Dreamed a Dream, Memory, My Favorite Things, Over the Rainbow, Seasons of Love, Tomorrow, Waving Through a Window, and You’ll Be Back.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
All rights reserved. Piedmont Music Therapy ©2021
Color-Coded Songs, Volume 12 - Children's Genre #2 (Boomwhackers)
Color Coded Songs - Volume 12 was arranged by Ashley Tisdale, MT-BC on staff at Piedmont Music Therapy.
This digital resource features melody that is notated on the treble clef and notes are colored for instrument pairing. Some of the melodies are slightly altered in an effort to simplify rhythms and increase success for those using the music. Rhythms include eighth, quarter, half and whole notes/rests. Chord symbols are included above the treble staff as well!
The following pieces are included: Five Little Ducks, Apples & Bananas, Baa, Baa, Blacksheep, Baby Balooga, Down By The Bay, Hickory Dickory Dock, If You're Happy & You Know It, Old McDonald, Row, Row, Row Your Boat & The More We Get Together.
Upon electronic purchase of $12.50, you will receive an email with the PDF to download.
All rights reserved. Piedmont Music Therapy ©2023
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Music For All: Full Series 1, 2, 3 AND 4
$75.00
Course Description: This course is designed to provide special educators and classroom teachers with knowledge and competencies for using music with students who have special needs. Participants will be able to learn more about special education and efficacy of music therapy within a student’s learning environment. Considerations will be explored for effective use of music in a classroom setting. By enrolling in a portion or entire course, the participants will be more informed about music for students. In order to practice as a music therapist, one needs a college degree in music therapy and certification credentials from The Certification Board for Music Therapists. By enrolling in this course, one is unable to claim to practice as a music therapist. Each student is unique and their circumstances are different. Weekly lectures available and concluding seminars on Fridays: June 5, 12, 19 & 26. This is a nonrefundable registration. All sales final. | ||
E-Kits for Music Therapists. Created by Music Therapists.
Communication Kit #1 includes nine digital templates for you to use upon purchasing. Files range from appointment slip reminders of changed timeframes to calendars that are helpful fliers to educate and advocate of scheduled services.
For an extra $5, purchase Kit: Made For You which will provide a kit customized with your logo, contact information etc. Simply complete the following form after purchasing the e-product and you'll receive the tailored kit within 3 business days:
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Communication Kit 1
These downloadable templates will help music therapists communicate effectively. This kit has areas to modify as they are Google Doc Files that you will be able to COPY for tailoring to your work's needs.
These editable templates include promote professionalism with communicating to various stakeholders:
- Sign-Up Form (used for internal/external events)
- Binder Cover
- MT Site Calendar
- Music Enrichment/Instruction Site Calendar
- Attendance: Fall/Spring Series
- Rescheduling Slips for changes in appointment time/day
- Doorway Sign: MT in progress
- Holiday Slips for clients & site contact
- Confirmation of appointment for school note
Interested in having them tailored for your work? Check out the other product option - for extra $5.00 share your logo, contact info, etc. and the forms will be updated for your specific use.
Communication Kit 1 - Made For You
These downloadable forms will help music therapists communicate effectively and promote professionalism with various stakeholders:
- Sign-Up Form (used for internal/external events)
- Binder Cover
- MT Site Calendar
- Music Enrichment/Instruction Site Calendar
- Attendance: Fall/Spring Series
- Rescheduling Slips for changes in appointment time/day
- Doorway Sign: MT in progress
- Holiday Slips for clients & site contact
- Confirmation of appointment for school note
After purchasing this e-product, complete the Google Form Box: Made For You Info on the same web page to share music therapist's full name & credentials, contact info to include, etc. The turn around time is 3 business days if all information is provided. Missing information will cause a delayed turn around time of a customized Communication Kit #1. Thanks for considering our e-products!
